Schoolkids are as devious and dangerous as they are cute in Kelly’s slyly unsettling suspenser.
Tina is a single mom with a checkered past (she barely remembers the drunken hookup that derailed her life and produced her 10-year-old son Matty) who has a toehold in affluent Park Slope, Brooklyn, thanks to a below-market rental and a teaching job at L’il Learners preschool. She loves her charges—vomiting and poop jokes notwithstanding—but wonders about Jonah, a 3-year-old who never talks or plays, especially when his attacks on a little girl escalate from biting and hair-pulling to stabbing with a tack and worse. Jonah’s older sister Darla, Matty’s classmate, is also a problem; her more sophisticated bullying of an overweight boy named Byron progresses to subtle, disturbing bloodshed. Tina sympathizes with Jonah and Darla because their mother Laura recently died in a hiking accident (they say they can see her ghost) and grows even more sympathetic when she meets their handsome, ingratiating father Patrick. As Tina grows closer to Patrick and his kids, she puts aside others’ misgivings even as red flags appear, including hints that Laura’s death might not have been accidental. Kelly’s novel is a mordantly funny portrait of high-end preschools full of well-heeled, judgmental moms and exasperating, antic children. It’s also a plangent reflection on the fragility of relationships—Tina’s decade-long friendship with her landlady Cheryl, whose daughter Naomi she practically raised, goes by the wayside when Cheryl decides she wants more rent. The author’s clever, evocative prose illuminates characters in their labyrinthine complexity—especially Darla’s arresting mix of childishness and dark calculation. (“Darla hates the fat boy so much she would like to bite him and swallow the pieces. She wants to call him fatty-pants again, but this time Naomi and Matty would hear….Darla knows better than to show her friends what she feels.”) From this bad seed sprouts a page-turner.
An engrossing yarn about innocence-turned-malignant, by turns hilarious and haunting.