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GATCHAMAN: GALACTOR

A thoroughly enjoyable side-story in a popular action-adventure franchise.

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This comic-book expansion of the Gatchaman universe centers on archvillain Berg Katse.

Japanese animated series Science Ninja Team Gatchaman—or simply Gatchaman—aired in the late 1970s and early ’80s. It may be better known to Americans by the title of its dubbed and re-edited version, Battle of the Planets, but this latest comic iteration, from an American publisher, returns the characters and organizations to their Japanese names. This volume collects four comic-book issues, written by Orlando and illustrated by Lobo and Qualano. Berg Katse (called Zoltar in Battle of the Planets) is the commander of Galactor, an evil group whose mission claims to be in Earth’s best interest: By seizing all the planet's resources, they assert, humanity can be saved from itself. But when a poisoned meal nearly kills Katse, he must uncover who’s infiltrated his organization. It doesn’t take long for him to track down his would-be assassins: the last members of an organized crime family he thought he eradicated years earlier, shortly before founding Galactor. The gang’s plan has been years in the making—and they have a secret weapon: a mutant family member strong enough to take on Katse. This comic is created by a different team than the one collected in the recent Gatchaman Vol. 1, and it avoids most of that series’ problems. At one point, Katse goes undercover to infiltrate Galactor’s ranks and, in a few panels, it becomes hard to discern which character is Katse. Aside from this, however, the panels have room to breathe, and strike an ideal balance between dialogue and action. The color palette is cohesive, leaning heavily on the reds and purples of Katse’s outfit. Notably, the Science Ninja Team is absent from this comic, other than a brief glimpse at the start (in which someone in a fleeing crowd says, “I’ve seen all their vids—got all the bootleg DVDs,” in a knowing wink to longtime fans), but it never feels that anything is lacking. Instead, this work effectively fleshes out an established character with an absorbing, artfully executed backstory.

A thoroughly enjoyable side-story in a popular action-adventure franchise.

Pub Date: Feb. 25, 2025

ISBN: 9781545815892

Page Count: 104

Publisher: Mad Cave Studios

Review Posted Online: Feb. 3, 2025

Kirkus Reviews Issue: April 1, 2025

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SUPERMAN SMASHES THE KLAN

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.

Superman confronts racism and learns to accept himself with the help of new friends.

In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)

Pub Date: May 12, 2020

ISBN: 978-1-77950-421-0

Page Count: 240

Publisher: DC

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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MACBETH

From the Wordplay Shakespeare series

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 6, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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