A dark thriller for difficult times.
A fitting (supposedly) final mission for one of fiction’s greatest spies.
A bomb explodes in the Marais district of Paris, a region known for its large Jewish population. One of the victims had a personal connection to Gabriel Allon, the man poised to become the next chief of Israel’s intelligence service, and that’s why the legendary assassin and spy joins the hunt for a terrorist mastermind known only as Saladin. Allon has been trying to escape his past since he first appeared in The Kill Artist (2000), so it’s no surprise that Silva must provide a lure if he’s going to get his hero back into the field for one last mission. But the 16th installment in this series is marked by a subtle shift in emphasis. Allon remains as compelling as ever, but Silva is clearly preparing readers for a world in which his hero takes a supporting role. Two members of Allon’s team—Mikhail Abramov and Dina Sarid—seem poised to play a larger part in future novels. But it’s Allon’s newest recruit who takes center stage here. Dr. Natalie Mizrahi is a French-born Israeli. As Leila Hadawi, the daughter of Palestinian refugees, Natalie becomes part of the terrorist network ruled by Saladin. This is not the first time agents have gone undercover in one of Silva’s novels, but Natalie’s experience is the most harrowing. A Jew hiding in the heart of the so-called caliphate, she knows that a single misstep will result in her own horrific death. More than that, she knows that failure to complete her mission will mean hundreds—if not thousands—more deaths. Before he became a novelist, Silva was a journalist stationed in the Middle East. His Gabriel Allon novels have tracked—and, in some cases, anticipated—the rise of the Islamic State group. In his foreword, he notes that he began writing this story before the Paris attacks of 2015.
A dark thriller for difficult times.Pub Date: July 12, 2016
ISBN: 978-0-06-232022-3
Page Count: 544
Publisher: Harper/HarperCollins
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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