CREATURE CLINIC

A different kind of hospital, one with all-too-relatable problems, serves mythical creatures.

On any given day at Creature Clinic, green-skinned Dr. Kara Orc might deal with a unicorn with a broken horn, a basilisk with a fang ache, or a griffin with a wing transplant. The hospital for creatures of all stripes is thrown for a loop by the arrival of a brown-skinned, black-haired human, Mitch, who can’t get enough of the place despite the strict no-humans policy from the chief of medicine, Kara’s mom. Mitch’s knack for emotional support therapy allows him to make breakthroughs with patients that aren’t possible through medicine alone. Aung Than’s pacing and empathy for the cast shine through in every scene, such as during two-headed minotaur Nurse Bullcowski’s morning run, a sequence that shows off the setting and interactions among characters when they’re off the clock. Frequent doses of humor help the medicine go down, from sight gags around aiding an incapacitated giant to a subtle background poster of Sisyphus advertising help for exhaustion. Tension between Kara and her demanding mother grounds the story in an engaging, two-sided drama that forms a satisfying thread through the chapters. The supernatural cast members have diverse skin colors, and the lively, appealing art is colored in bright hues.

Readers will check in, but they won’t want to leave this doctor’s appointment.