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ON A RISING SWELL

SURF STORIES FROM FLORIDA'S SPACE COAST

A wonderfully colorful and inviting paean to Cocoa Beach surfing.

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An anecdotal history of surfing along Florida’s Atlantic coast.

Reiter opens his nonfiction debut with a sensual, almost elemental summary of the basic allure of surfing: “The coconut smell of surf wax, a wetsuit drip-drying in the sun, coffee vapor mingling with salt mist, the gleam and crackle of an outside set on a windless morning.” The author’s decades of enthusiastic surfing have left their mark on him: “Twenty years of brine, of salt marinade, of inhaling the sea’s musk, have permanently transformed me.” Reiter’s book, a collection of essays and vignettes on various aspects of this transformation and the activity that caused it, takes readers from the deep history of surfing to his own personal history with the sport to the deep connection between surfing and the Cocoa Beach area of Florida’s Brevard County. The loose structure of his narrative allows for frequent digressions about the eccentric people who populate the surfing world and the natural landscape of Cocoa Beach, with glances at remarkable weather events like Hurricane Frances (“a mere Category 2 at impact, but it was massive, and punishingly slow”). He intersperses comical asides about zany surfers or inept day-trippers (“easily the most abundant of all nonlocal species”) with broader social observations about Cocoa Beach, which bills itself as “a tropical, quaintly parochial town” that has nevertheless been home to some of the greatest surfers in the sport’s history. The author writes with warm, knowing affection for his cast of characters, including Kelly Slater, “the man who revolutionized a millennia-old sport” who’s dubbed by Reiter “the greatest surfer of all time.” The author does a thrilling job narrating the action of surfing big waves, but the main strength of the book is Reiter’s heartfelt appreciation of the natural world of the sport, the “brief Orphic hours” when Cocoa Beach surfers commune with the sea. He’s written a surfing classic fit to sit beside John Long’s The Big Drop (1999) and William Finnegan’s Barbarian Days (2015).

A wonderfully colorful and inviting paean to Cocoa Beach surfing.

Pub Date: April 29, 2025

ISBN: 9780813080970

Page Count: 174

Publisher: Univ. Press of Florida

Review Posted Online: March 6, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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