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STAKES IS HIGH

LIFE AFTER THE AMERICAN DREAM

An urgent and provocative work that deserves the broadest possible audience.

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A young Black man surveys the landscape and finds America a poisonous, broken place—but perhaps not irretrievably so.

Toward the end of his second book, Smith asks an arresting question: “Is the potential for the American Dream worth enduring the brutality of American life?” Anyone who has followed the headlines recently knows that life for African Americans is fraught with peril, the American dream ever more distant. This dangerous moment in history, writes the author, is “not an aberration…it is the course this country has always been on.” Exponents of “Afro-pessimism,” such as Frank Wilderson III, have expressed considerable—and well-placed—doubt as to whether things can ever get better, though Smith sees a flicker of hope and closes with guarded optimism: “Imagining where we want to go teaches us how to get there. No one ever said it would be simple, only that it is possible.” Meanwhile, there are the present realities to consider, some of them embodied in the person of Donald Trump, whom Smith considers absolutely the wrong person to be in office, if one who represents a logical point on a continuum of racism and reaction. The right New Yorker for the job, he writes, was Shirley Chisholm, who is coming in for fresh appreciation half a century after her run for office. Even so, “Chisholm was never going to be elected president. Donald Trump was inevitable.” Yet she was a serious candidate, just as Alexandra Ocasio-Cortez is serious—though, Smith counsels, what is more important is that the many people out there who are of like mind be encouraged to bring democratic socialism into office. The author is sharply self-aware (“Sometimes, reader, I write ‘you’ when I’m too afraid to admit my own failures”), and he would seem to expect his reader to approach his fine-honed argument with the same seriousness. Doing so is well worth the effort.

An urgent and provocative work that deserves the broadest possible audience.

Pub Date: Sept. 15, 2020

ISBN: 978-1-56858-873-5

Page Count: 192

Publisher: Bold Type Books

Review Posted Online: June 26, 2020

Kirkus Reviews Issue: July 15, 2020

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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