A fascinating and darkly revealing dive into the world’s garbage.
Uncovering a dirty business.
In the 1970s, a self-appointed “garbologist” went through the trash of famous folks like Bob Dylan and published lists of what he found, hoping to reveal dark secrets. In Charles Dickens’ novel Our Mutual Friend, a character known as the Golden Dustman amasses a fortune from rubbish—or “dust” as the Victorians called it. Clapp, a journalist based in Greece, is a literal and figurative muckraker, exploring a slew of astonishing trash-related topics. In one chapter, he focuses on the island of Chios, observing that local residents rank among the world’s “most unethical ship dismantlers.” Clapp unearths trash and waste in Turkey, Ghana, Java, and Guatemala, which, he writes, “boast[s] a bleak history as the serial target of toxic waste dumping by US cities and corporations.” Not surprisingly, the United States exports much of the world’s trash. “By the early 2000s,” Clapp writes, “America’s biggest export to China was the stuff Americans tossed away.” The European Union doesn’t come off looking too clean, either. “At least as much plastic was getting jettisoned out of the European Union, from self-congratulating environmental stewards like Germany, whose state recycling quotas were often reliant on a filthy secret: much of the plastic that Germans claimed was getting ‘recycled’ was in fact getting shipped to the far side of the world, where its true fate was far from clear.” Clapp is loath to end on a hopeful note, but he tells of Izzettin Akman, a farmer in Turkey whose oranges and lemons are threatened by tons of trash that is dumped—and set on fire—near his crops. Akman takes to pursuing the garbage trucks in his pickup—“a lonesome sheriff against a system of globe-spanning waste mismanagement,” Clapp writes. “I’ll keep following the trucks until they stop coming,” Akman says. “Or until the world stops sending them.”
A fascinating and darkly revealing dive into the world’s garbage.Pub Date: Feb. 25, 2025
ISBN: 9780316459020
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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